For Alan · 2 October 2026
Pick what goes on the client page.
New today: 10, 11 and 12, with the store’s new walls and rug. The rest is what is left from the night. Send me the numbers you want and they move to the client page.
New today. The frames on the walls and the rug are in these three. Nothing on the client page has changed.
A new short piece. It opens on the match cut you picked (six frames a picture, your shutter on each cut, landing on the OP poster), then the frames wall, the polo wall, the family photo and the rug, slow.
The reel that is on the client page with five new beats in it: the frames wall, the family photo, the polo wall, the rug’s wordmark and the rug pulling out. Still plain cuts on the beat, nothing else. Five seconds longer: their name lands on the sound’s last phrase.
The reel that is on the client page with the new look under Ali’s lines: the wall with the frames on “here we have”, the tee wall on “the T-Shirts”, and the rug as the last quick shot before their sign. His words and the sound are untouched.
1, 2, 3, 4, 7 and 8 are on the client page now. These two and the photos are still here to pick from.
The reel that is on the client page with three inserts cut into it: their sign building itself on the storefront, the golf print growing on the tee, the line typing itself onto the bag. Each one leaves the moment it has formed. It opens on their OP IN D5 cookies.
The reel that is on the client page in under twelve seconds, for a story or an ad: the same opening, twelve beats of the day, their name on the phrase.
Stills from the camera’s own frames: the sign, the team, the pieces in people’s hands. The full-size files are in the Desktop folder.
