For Alan · 2 October 2026
More fromopening day
Pick what goes on the client page.
23 is More branches to come with your notes fixed. Still here to pick from: 10, 11, 5, 6 and the photos.
For Alan · 2 October 2026
Pick what goes on the client page.
23 is More branches to come with your notes fixed. Still here to pick from: 10, 11, 5, 6 and the photos.
Not on the client page until you say okay.
Your four shots are out: the guy with the hoodie bag is now their sign with people walking in, Ali with the cookie bag is now their team under the sign, and the ending has a bag in hand and the green NOT SO ORDINARY tee instead of Jana and you. Ali holding the cookie is cut before he looks at the camera, then the cookie on the pink tee. Same sound.
10 and 11, as you saw them. 12, the tour, is on the client page now.
A new short piece. It opens on the match cut you picked (six frames a picture, your shutter on each cut, landing on the OP poster), then the frames wall, the polo wall, the family photo and the rug, slow.
The reel that is on the client page with five new beats in it: the frames wall, the family photo, the polo wall, the rug’s wordmark and the rug pulling out. Still plain cuts on the beat, nothing else. Five seconds longer: their name lands on the sound’s last phrase.
1, 2, 3, 4, 7 and 8 are on the client page now. These two and the photos are still here to pick from.
The reel that is on the client page with three inserts cut into it: their sign building itself on the storefront, the golf print growing on the tee, the line typing itself onto the bag. Each one leaves the moment it has formed. It opens on their OP IN D5 cookies.
The reel that is on the client page in under twelve seconds, for a story or an ad: the same opening, twelve beats of the day, their name on the phrase.
Stills from the camera’s own frames: the sign, the team, the pieces in people’s hands. The full-size files are in the Desktop folder.
